The William Roe story by Daniel Perez on “Bigfoot Investigators Hope DNA Test Will Confirm Existence Of Two Man-Beasts” with Jeffrey Gonzales Tribute to legendary costume maker Philip Morris from The Charlotte ObserverĪrlee Bird describes meeting Philip Morris, in his blog Tossing It Out The 1968 Argosy Magazine article about the PGF from BIGFOOT’S bLOG website “Still stalking Bigfoot 50 years after the beast went big” article from CNET Rediscovery of the PGF film site with GPS coordinates, from BIGFOOT’S bLOG website “The Conjuring of Bigfoot: The Forgotten Case File Detailing the Time Lorraine Warren Met Sasquatch in Tennessee” on Week in Weird “Compliant Gait” explained on the BRFO website “The Scientist Grover Krantz Risked It All…Chasing Bigfoot” on “The Man, The Myth, and The Legend of Grover Krantz” By Krissy Eliot with Doug Hajicek’s documentary production Search for Bigfoot stories on ’s YouTube channelīob Heironimus demonstrating his “Patty walk” compared to her image in a video clipĪnatomical computer mapping of Patty by Reuben Steindorf in assoc. “Best Bigfoot footage yet? Patterson-Gimlin 4K Neural Remaster” by Bigfoot Al Links from Munns’ website to his YouTube videos showing his process and analysis The Munns Report – William “Bill” Munns’ website with all of his documentation and analysis Tonight we sit down with Bill Munns for an interview in which he discusses his process, analysis and his conclusions which lead him to believe the film to be authentic. So he is uniquely well-qualified to analyze evidence consisting of 16mm film, and showing what many suspect is just a human in a fur creature costume. Munns also has spent the last 22 years doing computer graphics, which positioned him well to do the image analysis of the PGF film frames. He created full body suits for fictional creatures such as “Swamp Thing” and “The Beastmaster,” and so he brings to the PGF controversy well-established expertise in the fabrication of various creature costumes. Bill Munns has spent most of his long career in filmmaking and creating special makeup effects, starting as a makeup artist with Universal Studios in 1969. While the original 16mm Kodachrome Color-Reversal film shot by Roger Patterson has since gone missing, Munns built a mobile High Definition digital film scanner and with exclusive permission from Patterson’s widow Patricia, has painstakingly scanned every frame of her first generation copy at 5K resolution, even discovering an additional two frames at the beginning, making the total count 954 frames in total. Concerning the preservation of the actual film itself, no one has done more to secure its integrity than William “Bill” Munns. There are a few researchers for whom the Patterson-Gimlin Film has sparked a life-long quest to analyze its mystery and the possibility of Sasquatch.
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